
The ledger
Twelve columns, cutting twenty eight names to three
Twelve columns over three measures: hair, figure and age band. This is not a separate roster. It is the desk stacked a different way, so a name falls into whichever columns her own measured facts put her in and into none that they do not. Three columns per woman is usual and four is common. Nothing here moves a figure. The first hour costs £250 from every column, and rates prints the same ladder whichever one you arrived through.
It exists because twenty eight portraits is too many to decide between on a phone and three is not. If you already know roughly what you are after, one column does most of the work in about a minute.
Twelve columns in the ledger
The three measures, and what each is worth
Hair gives four columns: blondes, brunettes, raven haired and auburn. Figure gives five: petite, slim and slender, toned, curvaceous and statuesque. Age gives three: early twenties, late twenties and thirties.
Colouring is corrected in the week she changes it. Every height was taken in centimetres, in this office, with the shoes off, so the number printed beside a name is the number you will be standing next to. Age comes off the document she brought to that same meeting. Everybody listed anywhere in this ledger is an adult.
What this ledger refuses to sort by
Nationality and ethnicity, to begin with, and then everything that falls outside time and companionship. No such column is here and none is coming. Twelve pages of measured facts already take twenty eight names down to three or four, which is as far as a sorting tool ought to be asked to carry anybody.
How to get from twelve to three
By colouring, if you already know the answer: brunettes is the longest column at fifteen and auburn the shortest at three. By frame, if the evening has a shape to it: statuesque for a black tie table, petite for a long sit in a small room. By stage of life, if what you want is a register rather than a look, in which case thirties holds the four least hurried women on the board.
Or skip the browsing. Tell Maude the hotel, the hour and the kind of evening, and two or three names come back inside fifteen minutes instead. The ten formats an evening can take are on after hours, and the order of events from first message to arrival is on booking.
Send the room and the hour
Write the district, the time and the length of the booking. The desk answers with a name and an arrival window, and the evening is set.